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A powerful western drama set in the savage Eden of 1880s Australia, The Proposition is an elemental story of family conflict and primal violence, destructive love and divided loyalties. Featuring an international superstar cast including Guy Pearce, Ray Winstone, Emily Watson and Danny Huston, it is directed by John Hillcoat from a specially commissioned script by the globally acclaimed singer-songwriter Nick Cave.
"Because of Nick's narrative songwriting, the
characters are so vivid," says Hillcoat. "I knew
something really good would come out of it."
Cave has also composed the film's soundtrack in conjunction
with Warren Ellis, his longtime Bad Seeds collaborator and
multi-instrumentalist frontman of The Dirty Three. Incorporating
soft chamber pieces, ghostly moodscapes and whispered laments,
these 16 tracks are as starkly beautiful as the landscape
of the film. Story and music are closely intertwined.
"I always heard it musically, and I guess it's
written rhythmically as well" Cave explains. "It's
very similar to the way my band operates. There are moments
of intense violence and there are also moments of long, lyrical,
quiet sadness."
But the resulting soundtrack is emphatically different to
a Bad Seeds or Dirty Three record. While some of these pieces
grew from improvised accompaniment to big-screen projection,
many also incorporate violin loops pre-recorded by Ellis at
his home studio in France.
"It was very different to making a normal record,"
Ellis says. "There were no boundaries in that respect,
and I enjoyed much more than I thought I would. The music
had to be very flexible, and as a result it has a very improvised,
loose feel."
The soundtrack to The Proposition is punctuated
by recurring motifs, fragments of church hymns and abstract
avant-folk drones. The softly swelling title theme lends a
melancholy signature refrain while 'The Rider'
is a haunting ballad in which the scattered natural elements
of a starlit landscape engaged in hushed conversation. For
a highly distinctive songwriter like Cave, the composition
process involved stepping back and allowing the timeless power
of the music to speak for itself.
"I didn't want to have songs in it," he
explains, "or Nick Cave songs, certainly. For me it
was delicately balanced thing. On the one hand you don't
want a historical movie with a real contemporary soundtrack,
but nor did we want wall-to-wall Irish jigs. I didn't
want songs to act as distraction."
All the same, there is a smattering of more substantial songs
on the album that will please fans of the Bad Seeds and Dirty
Three. Cave and Ellis took great pains for the soundtrack
to work as a stand-alone work in its own right. With 'The
Rider Song' and 'Clean Hands, Dirty Hands',
they lend a note of healing musical balm to the film's
bittersweet, blood-splattered finale.
"The film ends a little tragically," Cave admits.
"It doesn't end in a traditional Hollywood way. There
was a feeling that there needed to be something redemptive,
so when you've dusted your popcorn off your trousers
you could walk out with a slightly joyful song in your heart."
A musical journey from revenge to redemption, The Proposition
is a richly textured new chapter in Cave's already illustrious
body of work.
Tartan Films release the film across the UK on 10th March.
Official site: www.theproposition.co.uk
Producer:
Nick Cave & Warren Ellis
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